An overall objective is to create forms, not represent them. It can be contested that the forms are reminiscent, biological or laboratory like in nature. The reason is that anything completely beyond familiarity would be entirely other. The work would then be metaphorically opaque which would contradict the visual and ideological nature of the work. To remain on that liminal space between extremes, in order to maintain translucency, the work runs up to the edge of a recognizable, yet recondite, sign system. It then careens off of that sign system to bring the viewer to a new point of reference. The forms become seminal bodies from which others can spring board off of, thereby reaching even newer reference points.
Through the creation of these non-representation, context free, closed systems, the desire is to produce a visceral experience for both the viewer and artist. Rather than creating confrontational representations, the work sheds symbolic baggage in an attempt to transcend banality, but not at the expense of disrupting the senses.